| Review: It has often been said Wes Anderson to walk a fine line between madness and genius. Grand Hotel Budapest is not, however, this distinction no longer exists: funny becomes bright and shiny never been funny. This is his best work, or at least a film that all Andersons creative impulses, working in one direction, creating a coherent work of art. His films have always been funny, charming and out of this world, but never the audience was immersed in Andersonland much with this film. Color, camera movement, which switches between different parts of the whole, the music, the distortion angle lens ridiculously stellar distribution of all elements Andersons brand, combine to produce the final movie Anderson. CGI is used absolutely ridiculous excellent movie Add to surrealism. He is also very well designed, not only visually, but structurally. Unlike some of his previous work, editing, tempo and rhythm of Budapest, step-perfect.Is is a great movie? Im not sure. It does not seek to deal with issues of death, love, despair, great. On the other hand, it seeps with nostalgia, bittersweet nostalgia for the past age long and fascinating characters that you can be the first. It is technically a thriller, and it should be noted that gender seems to suit a particular brand Anderson achieving very well. But never before had Hitchcocks MacGuffin also clearly embodied the boy with apple. The plot is simply a mechanism that allows Anderson to carry his vision on the screen, the vision of a strange world looks different from ours, but is filled with so many losses and, at the same time, human compassion, like ours. It's a comedy, but it is either very thin or very over, and the majority of viewers are comfortable with both. There is no common fire one shot, each image is going to her place, the point where they begin to form a uniform film, and it's fantastic. |
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